[Paper Solved]Write an essay African dances used as a way of resistance to decoloniazation and urbanization –

African dances have been a part of African culture for centuries and are still present in traditional and contemporary societies today. During the colonial period, African dances were used as a form of resistance to colonial rule and urbanization. By expressing their cultural identity through dance, Africans could not only resist the oppressive conditions imposed on them by the colonizers but also demonstrate their resilience against society’s attempt to erase their heritage.

Write an essay African dances used as a way of resistance to decoloniazation and urbanization

The use of African dance as a form of protest was seen during the struggle for independence in many countries across Africa, such as Kenya and Zimbabwe. In Kenya, dancers would perform the traditional Gikuyu dance which symbolized unity among Kenyan citizens and showed that they wanted freedom from British rule. Similarly, in Zimbabwe, people danced the popular Shona Mbende dance to express their opposition to British occupation; this was also done as a way to honor those who fought for independence.

In addition to being used as forms of political protest during decolonization efforts in Africa, dances have often been employed by black communities living in cities throughout world history—from New York City’s Harlem Renaissance to Johannesburg’s Township Jive movement—as powerful expressions of identity within an urban context. The process of breaking away from rural life into an industrialized city can be difficult for many Africans due to social pressures that come with rapid urbanization; however dancing has offered community members an opportunity to maintain ties with their past while adapting successfully into modernday city life. For example, HipHop culture is deeply rooted within New York City’s black communities but originated from breakdancing moves inspired by West African folkloric traditions combined with other influences like Jazz music or Caribbean melodic patterns.

Overall, it is clear that African dances are more than just entertainment or exercise: they are integral parts of culture that serve practical functions both politically and socially throughout history and continue to do so until today. From resisting colonialism during decolonization efforts across Africa to providing comfort for enslaved populations forced into migration around the world—African dance has demonstrated its power time and time again as one of the most effective acts of rebellion against oppression and continued marginalization based on race or ethnicity

African dance has been used throughout history as a form of resistance against colonialism and urbanization. African dances were one of the most effective ways for groups to express their resistance to oppressive forces, particularly during decolonization and urbanization. Through dance, African people could communicate their struggles, express solidarity among themselves and illustrate how they were overcoming adversity despite external pressures. The power of these performances became even more evident when these dances spread across international borders and inspired other people to join in the fight for freedom from oppressive forces.

Dance has always been an important element of African culture, with each region having its own unique style that was often tied to religious or spiritual beliefs. This connection between faith, music and movement made dancing a powerful tool for resisting colonial rule and oppressive ideologies. During decolonization period from 19501960s many countries sought independence from European powers such as Great Britain, France or Portugal who had long held sway over them. As part of this process there was an increased emphasis on expressions of national identity which included forms of arts like song, dance and drama which were seen as tools that could be used to unite individuals behind shared values while also allowing them to make bold statements about their collective will towards achieving liberation from imperial subjugation.

During this period many traditional dances underwent transformation in order to become symbols of resistance; choreography began including movements adapted from martial arts techniques developed by fighters such as those in the Mau Mau rebellion in Kenya or the FLN rebellion in Algeria (to name just two). These new moves allowed dancers not only to convey messages through physical expression but also served as a form a selfdefence should conflict arise between protesters/dancers and colonial authorities/soldiers sent out by them (who frequently resorted to violent tactics). Music composed around this time similarly shifted towards being political rather than simply entertaining – songs carried lyrical themes that called for freedom whilst incorporating elements taken directly from traditional folk melodies associated with particular cultures or regions within Africa; fusing together both old & new ideas into powerful expressions that demonstrated the strength & resilience needed for those fighting against oppression .

The 1960’s saw further transformation take place within African communities due rapid urbanisation caused by industrialisation + migration from rural areas into cities seeking better quality life & new opportunities; however what they experienced instead was overcrowding & poverty due lack of job creation combined with racial discrimination making it hard for nonwhite citizens find jobs/make money despite high levels education attainment amongst them so it wasn’t uncommon see resentment building up rapidly amongst inhabitants leading some turn violence against state/government institutions believed responsible maintaining status quo where majority populace kept stuck cycle deprivation whilst few elites benefitted greatly wealth created through exploitation resources abroad . Against backdrop social unrest various cultural activities began taking place cities aimed at providing means channel pent up anger frustration stemming perceived injustice without resorting destruction property/violence civilians – ‘alive art’ soon emerged popular continent wide consisting displays found public spaces streets markets etc… with musicians playing loud drums accompanied energetic group drumming + dancing bodies moving swiftly synchronised manner expressing joy hope future free oppression colonial occupation !

In conclusion ,we can see how through its use in protests ,traditional dances have helped fuel Africans’ fight against colonizers during decolonization periods ; today we still witness modern day versions these ancient movements expressing same sentiments liberation equality encouraging others continue struggle necessary achieve true independence! Furthermore ,as illustrated above musical accompaniment alongside lively choreographic patterns acted catalyst uniting disparate populations under banner common cause enabling them make statement resounding far beyond boundaries nation state inspiring quite literally world recognize plight people oppressed circumstances outside control !

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